We’re excited to introduce our 2026 ombre ball gown—and yes, that little detachable mini cape is the real star. Wear it on for full formal drama (think grand galas), or take it off for a cleaner, lighter silhouette that works just as well at an intimate cocktail reception. Two looks, one dress.

Now, about that wine-to-blush fade. At first glance, most people assume it’s printed onto a single piece of gradient fabric.

But it’s actually built from multiple layers of tinted tulle—stacked sheet by sheet to create that smooth color transition. No printing tricks, just old-school layering.

We used four different tulle weights and shades for the skirt. The outermost layer is a sheer pale champagne tulle—very soft, very muted. Underneath that sits a fuchsia tulle layer, but we cut it shorter, stopping just above the knee. Then comes a blush pink layer, and finally a full champagne tulle base lining that anchors the whole thing.

Every panel is cut to custom measurements, and we secure each raw edge with rigid net interlining—that keeps the shape consistent and stops fraying over time. When you stack deep burgundy, fuchsia, blush, and champagne this way, you don’t get harsh lines; you get that soft, dimensional wash of color that flows across the full skirt.

The bodice is a whole other story—it’s completely covered in hand-sewn beadwork, which takes forever in production.

Since this video is focused purely on the skirt’s color layering, we didn’t include the beading steps here. (That alone could be its own mini-documentary.)

But for context: our beading workflow is the same one we use for our couture wedding gowns.

Our designers start by plotting the placement patterns on paper templates, then attach each crystal and sequin individually, following the motif by hand. Once a full section is done, we stitch those panels onto the bodice base fabric—so the finish is durable, holds up to wear, and still feels elevated and refined up close.